I like it. I wish that I could get to New York to see it up close and in person before the exhibition ends in June, but the way life has been lately, that might not be in the stars...
As for reading the comments, I know better. I've been on Al Gore's internet since the beginning, and I know that people shitpost and troll and get away with being awful because that is the nature of unmoderated free expression. People are going to post their innermost asinine unfiltered thoughts because there are no other places in polite society where one can go around and say whatever nonsense pops into one's head about other people unless they are Donald Trump holding a rally for his cult of deplorables. Not unless they want to get beat down...
So trust, I didn't go looking for negativity. It was dumped onto my timeline by the geniuses who manage the Meta algorithm. Apparently, they get bored once a week and decide to flood the zone with crap that I would never interact with from all kinds of random pages. Or they throw out red herrings since I did happen to like a post that highlighted this very statue; perhaps they thought that meant I would appreciate seeing some alternative viewpoints.
Hell to the naw!
Which brings us to this unprecedented Busy Black content move: I erased a post I had previously shared to my Facebook page. When I saw some of those nasty comments, I was compelled to write on impulse, and even after I allowed my thoughts to marinate overnight before posting, I ultimately changed my mind. I was uneasy about what had triggered my anger though I remain steadfast in my admiration of the work itself. However, once I sat with my discomfort and deconstructed it, I figured I would write about my change of heart.
My initial reaction to the piece was to shrug and think, huh, as in is this a newsworthy distraction given everything else that is going on in the world? In the same week that we got an American Pope from the Southside of Chicago by way of the 7th Ward in New Orleans with Haitian Creole ancestry, does a 12-foot statue of a Black woman dropped in the middle of Times Square really need all of this attention? Of course, I shared Grounded to the FB page as it had become clear that the reactions appeared to be divided between the like and laugh FB emojis. Hardly scientific, but random enough to take notice that while some pages celebrated the installation, others deemed it "woke"--the new buzz word to indicate that something is unnecessarily polarizing. Nevertheless, I posted a quick looky here and moved on...until a post in one of my groups directed my attention to the comments section. Curiouser and curiouser the farther I fell down that rabbit hole...
Having made a trip to see the iconic Lady Liberty colossus in person just last year for the first time since high school, I decided to share this meme since I deemed it the least problematic. My visit to Liberty Island had been so uplifting and empowering, especially as I learned that this beloved American symbol had been a gift from France in celebration of the abolition of slavery. Over the years, her symbolism evolved to serve as a welcoming beacon to immigrants from abroad (and despite what anyone else says, those dual purposes are not in conflict).
My knee-jerk reaction to this and those other aforementioned memes? An emotional fuck y'all. Fuck y'all racist, sexist, homophobic, fat-shaming, Trump-voting fascist asses! This was the day before Mother's Day, so fuck your Momma (since she raised you to be this special kind of asshole); fuck your Daddy next month when Father's Day rolls around; and whomever else agrees with your fucked up worldview! But instead of all those f-bombs, this is the more thoughtful reaction I initially posted:
Moment of emotional transparency: I really effing hate how *free speech* on social media has turned this country into a nation of rude assholes.
Really. If I could cuss people out and be convinced that it would matter for them to know that I see their racism, sexism, homophobia, etc. And while it may just be words that aren't supposed to permeate or hurt, the truth is that taken individually, no, you don't hurt me. But the accumulated impact of your cruelty and meanness, yes...it's like pouring lemon juice on a thousand paper cuts. Salted wounds.
I've been writing about the small indignities and micro-aggressions endured by Black women on this page (and other platforms) for YEARS. I know only a handful of people care or are moved. I write anyway because I think that maybe, one day, someone's heart will be pricked, pained by seeing the impact of the hurt that is so easily heaped on others. But I know better. No one who knowingly and casually inflicts pain recognizes or cares about how exhausting it is to wake up EVERYDAY as the object of their insatiable cruelty.
I know who and what I am, as well as what I am NOT. I am NOT the ugly, stupid, classless, undesirable, useless, (fill in the blank with whatever adjectives/insults you've been taught that are supposed to describe Black women and girls)... I am not a mule, nor a beast. I am a woman of flesh and blood, who knows better, even as I foolishly and vainly hope otherwise.
We are taught to let them...Laugh. Joke. Think the worst. Believe the lies of their superiority and our inherent inferiority. Prove their weaknesses and insecurities by highlighting our ability to endure, survive, and sometimes thrive in spite of their best efforts to destroy us.
I should mention that I did not (will not) post any of those memes but chose this one that spoke directly to how I feel. I also did not wish to attract the wrong kind of attention to engage with my page (I have better ways to waste my time than to argue with morons). A few hours later, my anger wasn't as raw or as intense, but much like seeing a taunt from this DEPOTUS posted on his official social media account, it had numbed. Stings at first, then I get used to the pain of the daily indignities and humiliations because he can, so he does...and the futility of accepting that there is nothing I will ever say in retaliation that can penetrate or appeal to any semblance of decency.
As far as I am concerned, everyone who sees this Grounded statue as an object of mockery or scorn, that is how they see me, my nieces, my daughter, my sorors, my aunties...my late mother. My dilemma is whether to accept their judgment or to subvert it. I will admit that it isn't always easy to ignore the noise. The attacks began to feel personal upon seeing the fourth, then the fifth, and later the subsequent posts that took aim at this composite of a random, non-famous Black woman. The comments assumed that she's on welfare, that she speaks in her outside voice, that she barges her way into exclusive spaces where she doesn't fit in or was not invited. That she has multiple children by different men. That she doesn't work a full-time job. That she expresses herself in vernacular colloquialisms. That she twerks when her favorite songs play. That she eats at McDonald's and so do her children. That she complains about injustice.
That she exists.
All she did was stop for a moment to survey the sights in Times Square, just like everybody else visiting for the first or even the 50th time, because you try navigating an amusement park without a map to indicate where things are? Doesn't everyone need to take a moment to get oriented to the utter chaos and confusion that is New York's Time Square?
So let's do just that--take a moment to fully establish what Times Square is and what is surely ain't. Like it ain't the Metropolitan Museum of Art. Not the Museum of Modern Art (MOMA) nor the Whitney Museum, where I took the Kid on a special trip to see an exhibition on Alvin Ailey last December. It also ain't the Guggenheim. So the idea that any kind of art installation in Times Square is supposed to evoke fantasies of taking a leisurely stroll through some tranquil sculpture garden is insanity.
The most accurate way of describing Times Square to someone who has never been there is to compare it to a large open air, overpriced food court located in the middle of the most crowded and loudest set of city blocks in America. I've never been to the Mall of America, but I imagine that is the same kind of chaos. Thousands of tourists; folks trying to sell you same-day show tickets; the stench of burnt hot dogs and roasted peanut wafting from the carts on every corner; Sirijul and Mujibur; bootleg merchants; overpriced chain restaurants; and ginormous neon billboards with blinking lights. There is a Naked Cowboy and his wife. There are also people walking around dressed as cartoon characters, so if you've ever wanted your picture taken with a Disney character but cannot afford a trip to the other most expensive amusement trap on Earth, then Times Square is a viable alternative. That is, if no one will notice that the Times Square Mickey Mouse always looks like he just lost a bar fight in the alley with Elmo (also on hand in case you get lost on your way to finding Sesame Street, which as it turns out, is within 2 miles, not that far away).
The only reason to make an effort to go to Times Square is to see a Broadway play. I was there a year ago to see The Wiz. The only other reason to be there is to kill time on your way out of town by bus at the Port Authority or by train at Grand Central Station. Otherwise, you're only there to get robbed--by spending too much money at one of the multi-level concept stores (like we did on M&Ms), or by one of those shady looking dudes posing as the Mario Brothers.
As the resident of another city that is full of statues and monuments, I appreciate when something new comes along to break up the monotony of generals, presidents, and historical figures as decorative sculpture. Nothing wrong with a little whimsy here and there, such as past public art installations that featured painted pandas, donkeys and elephants, and now all kinds of vibrant murals. There have been varying responses to these kinds of works. They can be polarizing. They stoke derision. There is no such thing as a universally beloved piece of art that appeals to everybody, so it isn't surprising that some works are more controversial than others. However, as long as people understand that not all pieces are intended to appeal to everyone, then the easiest thing to do is move along until there is something that does appeal to you.
For example, a local favorite piece of public art here in DC wasn't initially an art installation but an advertisement for a furniture store. The Big Chair of Anacostia was erected in 1959 and is located in a strip mall in Southeast DC, across the Anacostia River--a world away from most of the city's other more famous monuments. For years, it was known primarily to those of us who grew up in the neighborhood, but as our population has grown and changed, the chair has become a more recognizable city landmark. It is still mostly significant to those of us who live in the SE quadrant; I doubt that anyone who doesn't have a reason to drive into Anacostia would go out of their way to see an oversized piece of furniture. Nor do people who have only become residents of the city in the last 20 years know that this isn't even the original chair.
In response to Grounded, I had no visceral reaction other than curiosity for why a 12-foot tall figure? Assuming the same question was asked when it was an installation of 10-foot tall Balloon Dogs or the 8-foot tall LOVE sculptures, then part of that answer becomes why not? If public art is meant to be seen, discussed, engaged, debated, then it has to make some kind of bold statement. Perhaps the next logical question is why now, given these tumultuous times we've entered with the return of Donald Trump. Because once the default complaint that this statue was "woke", that became a bat signal for MAGA to come out swinging. To which, my retort: if not now, then when?
For such a time as this, why not celebrate an unassuming Black woman standing in her own skin? Why not look upon that Mama Liberty meme as an affirmation of our power, instead of the insult to our appearance as was intended? Black women worked hard to preserve American democracy and its ideals in the 2024 election. One of us was handed the baton at the 11th hour and still got 75 million votes. No need to cringe as Mama Liberty holds that torch aloft while also busy organizing and handling her business!
To be clear, one can dislike Price's statue and not be a racist. Beauty is in the eye of the beholder. My problem is that people were intentional and comfortable in bashing the work through the lenses of racism, sexism, classism, and body-shaming. We've already acknowledged how the term woke functions as a dog whistle; others sought to express their anti-Blackness in more subtle forms. For example, conservative provocateur Matt Walsh penned this pseudo-intellectual opinion piece to proclaim his disdain for Price's oeuvre of public art. Then there is the use of the historically loaded term Mammy which somehow becomes the default description of any full-figured Black woman...
Mind you, Grounded could just as easily have been someone's impression of me during the pandemic. Me, or any one of my friends whose struggles with menopause, stress, and the weight of the world have manifested on our bodies, settled into our curves. Once upon a time, full-bodied women were symbols of fertility and abundance. Isn't there a proposal floating around about paying women to have more children? When did our society become so repulsed by the sight of fleshy, Rubenesque women? Especially since many of our mothers, grandmothers, and your Trump-loving aunties have that same body type...when did we become so intolerant and shallow?
Instead of being distracted by superficial concerns, we ought to be more offended that our society has become immune to the ways that racism and sexism compound to harm the psyche of Black, Latino, Asian, and Indigenous women. Or that we're too proud to admit that the daily drip-drip of undeserved mean-spiritedness, insults to our intelligence and competence, and the outright hostility and disrespect exact a heavy physical, emotional, and psychological toll? Women of color disproportionately suffer from higher incidences of infant and maternal mortality, more diagnoses of autoimmune disorders, and greater tendencies to develop aggressive and debilitating chronic diseases.
Why is it so triggering that a temporary art installation in the most garish public plaza in the most crowded city in America happens to be statue of a Black woman? If you aren't in Times Square right now, nor will be at any point before June 17, then why do you care? Everything you see in her is a reflection of you: your assumptions, your insinuations, your discomfort, your anxieties, your prejudices and biases, your insecurities. It is incredible to see how much fear and loathing she's inspired just by standing there, taking up space without saying or doing anything remarkable!
Stand tall among the stars and stay grounded.
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