I have more to say about the passing of Aretha Franklin.
Unlike
 Whitney Houston, whose career I followed from beginning to end (because I was 
alive during its entire span), I acquired my appreciation for Aretha. 
But not from my parents, because I do not have memories of them being 
great fans of hers (like I do with Stevie Wonder, for example). I came 
to this love for her on my own as a young law school student back when we were all members of the Columbia House music club. I was going through a discovery period of "classic" artists and bought this:
Because
 for me at that time, Aretha Franklin music was whatever she had been 
releasing in the 80s, during her so-called comeback era. I knew that there existed this earlier period of greatness that had designated her as music 
royalty, so I wanted to acquaint myself to that music, the stuff that 
got played in the basements on Saturday nights on the oldies radio 
station.
Of course, I was not disappointed.
Right
 as the news broke of Franklin's passing, I was looking through a 
sampling of Madonna music to highlight for her 60th birthday. That 
search was based on her catalog of videos from that early period 
of her career in the 80s when she was being called the "Queen of Pop". While there is no 
denying Madonna's star quality and endurance as an icon in her own 
right, there is a clear distinction between a music video star and an 
all-around musician and artist. Aretha is, was, and always shall 
be...(yes, that song is stuck in my head now) The Queen.
In one of my first published online pieces, I questioned whether music (R&B specifically) had lost its soul. That was in 2001 when the video for Lady Marmalade had been released for the film, Moulin Rouge.
It's ironic that I thought of that piece, but it contemplates this exact moment in time--the vacuum created by loss of a great artist in comparison to how greatness is defined by modern tastes. How most popular singers of this 
current era are better known for record sales and provocative award 
show performances, but it is uncertain whether any of them will be 
remembered for their music. How many of these singers will be able to 
rely on their 40 year old hit records when they are long past the age of 
being able to dance to the original choreography on stage? How many of 
us who came of age on hip hop or heavy metal are willing to pay good 
money to see those old heads perform a cover of someone else's music 
from a different genre (other than Aerosmith and Run-DMC)? In the future, who will be the recipient of a Kennedy Center tribute that brings the Leader of the Free World to tears?
That is the magnitude of the loss of an artist like Aretha Franklin.
And
 that's why we can't just give away titles to folks on the basis of 
record sales and concert bookings. Greatness requires more than good 
looks and media savvy. Greatness is more than the ability to reinvent 
one's career as popular music tastes shift. Greatness isn't always 
long-lived, but it is about the quality of the output. Greatness is a 
heavy burden that exacts an expensive toll.
Aretha Franklin was crowned the Queen of Soul in a 1964 ceremony contrived by a local Chicago radio
 deejay before her true greatness was even realized. It is safe to say 
that by the time she was recording the album that would mark 
her "comeback", she had put in much of the work that gave that title its 
value. Work in the form of the eight albums she recorded before she 
switched record labels in 1966, and then in the form of the tremendous 
output of 1967 to 1976, which would be known as her golden 
era. She had been a teenage mother, had two marriages, and had weathered various 
family tragedies, including the death of her beloved father. She had already been a working artist at Arista by the time Whitney was signed.
This is not a dig at other performers, but simply a recognition that Aretha's talent surpassed all of what we would use to define greatness in music today. That's the reason why there have been serious debates on social media about who should be included in a tribute...
(I had been working on this piece off and on since the weekend, and last night I decided to go to bed. I was feeling blocked and uninspired, so the kid and I tucked in to watch TV. I tuned into the VMAs for maybe a minute, and I wasn't following social media, so I had NO IDEA. And I won't even dignify that nonsense except to suggest that it proves my point.)
Aretha was great. 


 
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